Here are some photos I shot in Blue Island, IL last June. I had been wanting to shoot a city on a rainy night for a while, but never had the opportunity-my ambition level, how busy I was, and weather conditions never seemed to sync. One day last June, thunderstorms rolled in right as evening was approaching. I live fairly close to Blue Island, which is a suburb just south of Chicago, and was done teaching for the summer, so I had both time and energy. So, I took advantage of all that and went for a shoot. I was there for maybe an hour and a half. It rained, sometimes stormed, and then stopped raining and began to dry as I was shooting. I got some good shots, and some bad ones, pretty typical for a photo shoot. I also got soaked, but it was a warm summer night, and I actually enjoyed that. Here are some of my favorite photos form that night.
Here's some pieces form a collage series I'm currently working on. I really, really hate writing (and reading) artist's statements, so instead of that, I'll try to give a brief discussion of these that avoids all the artspeak.
A few months ago, I bought a set of language development flash cards at a thrift store. I've always liked bland, documentary photos, and the grainy B&W shots of mundane objects on these cards appealed to me. They sat in my studio for a while, then I got inspired, and started making these.
I'm pulling inspiration from several places: The photos reminded me a little of new wave/punk era record cover design, particularly old Throbbing Gristle single sleeves (click here for an example), and they became a big influence on these. Early 20th century European graphic design and collage is another influence (Gustav Klutsis, El Lissitzky, etc.). Another big influence is contemporary Japanese graphic design. I've been looking at a couple of blogs recently that feature a lot of this work, and I'm fascinated at how it seems to subvert the basic design rules while simultaneously adhering to them. This inspiration led me to put intentionally irritating elements into these pieces, like the clashing op art background elements.
The text is a combination of English and Japanese, taken from old magazines. As I've discussed previously, I use text in collages fairly often, but usually as a graphic element. Text in a collage too often becomes a caption, and it's the visuals that should carry the message. I'm using Japanese and English for the visual variety, and as a nod to Japanese graphic design as an influence. The red and white is a slight nod to the De Stijl Dutch art movement.
Scissor Man was the first one of these I made, and while I was making it, the XTC song of the same name became my earworm, and the provisional title. Televesion Man came next, so of course, the Talking Heads song became an earworm. I toyed for a bit with only making collages that could be titled with song titles ending in 'man' (Telephone Man is a song I remember from childhood, but it's not really a song I liked), but quickly gave that up, as it proved to be too limiting. I couldn't think of good titles, however (always an issue with me), so while thinking about the provisional 'man' titles, remembered Barney Bubbles' great cover for Elvis Costello's Get Happy album, in particular the inner sleeve. This got me thinking about the sometwhat out of favor and vaguely sexist but still employed use of the word 'man' when referring to humanity, and I knew I had my titles.
I've made over a dozen of these so far, and will keep going until I run out of cards or ideas, whichever comes first. You can see enlarged prints of two of these collages at the Moraine Vally Faculty Exhibition, which opens next week.
Here's a digital collage I made on my iPad a couple of months ago. This was made using Snapseed, Fragment and Procreate, the three apps I use the most when working in the iPad.
The lizard figure in the foreground is part of a collage I made back in the 80's as part of a postcard project. You can read more about that project and my reworking of those old pieces here and here.
Some recent collages, made over the past couple of months. These are smaller than I often work when making collage, they are all 5 X 7". I got on this 5X7 kick a couple of months ago. This size seems to work well when making collages that aren't overly busy, something I usually aspire to.